/* Hello, World! is a powerful symbol in the world of source code. It is, by convention, the text that is used to illustrate the basic syntax of a new programming language. It is also the way to compare languages, as in a Rosetta stone. For this reason, Nicola Campogrande chose it as the starting point of his lieders, created specifically for CodeFest2021. How are voice and music reconciled with an artificial language? * /
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/*Whoever deals with digital music, in practice or theory, knows SuperCollider, the first and most famous live coding environment, that is, the production of live music using algorithms. How was it born? What is the meaning of this way of making music?*/
Event language: English
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Creator of the SuperCollider
BEAST
MAD Lab
Chair
/* SuperCollider – the programming environment created by James
McCartney, who virtually started interactive real-time audio
programming – turns 25. For the occasion, Marinos Koustomichalis and
Scott Wilson curate a distributed and online concert that includes an
online intervention by the SuperCollider community. In collaboration
with MadLab, University of Cyprus and BEAST, University of Birmingham.*/
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/*On 4 October at 20.30 Rai Radio3 will broadcast the concert of the Orchestra La Verdi in Milan that last June 10 launched Codefest. The concert includes the cycle “Hello World”, commissioned by the Festival and composed on programming code texts by Nicola Campogrande, performed by the soprano Vittoriana De Amicis under the direction of Alpesh Chahuan. It will be followed by the “Concerto for two pianos” by Francis Poulenc.*/
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composer
soprano
/* Making a formula an aesthetic object through calligraphy is a worthwhile experiment worth recording in a video to be able to relive the calligrapher’s gestures as a performance. We talk with the calligrapher Massimo Polello and the director Milad Tangshir about this experiment and the idea of “writing code”.*/
Event language: Italian
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Director
Calligrapher
Chair
Chair
/*Workshop organized by Toplap Italia and SMET dedicated to live coding in which the speakers describe systems and strategies to manage a live music coding performance, and answer questions from the audience.*/
Event language: Italian
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TopLap
TopLap
Chair
/*Concert organized by Toplap Italia and SMET (Electronic Music School Turin) dedicated to interactive musical performance in real time through code. It will be streamed, freely accessible on the festival’s streaming channel.*/
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